This is Bruce Friedland of Adult Site Broker and welcome to Adult Site Broker Talk where each week we interview one of the movers and shakers of the adult industry and we give you a tip on buying and selling websites. This week we’ll be speaking with Inka Winter of For Play Films. Would you like an easy way to make a lot of money? Send sellers or buyers to us at Adult Site Broker through our affiliate program, ASB Cash. When you refer business to us, you’ll receive 20% of our broker commission on all sales that result from that referral for life. You can make $100,000 or more on only one sale for some of our listings. Check out ASB Cash dot com for more details and to sign up. At Adult Site Broker, we’re proud to announce our latest project, thewaronporn.com. You’ll find articles from industry websites as well as mainstream publications from around the world. 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My guest today on Adult Site Broker Talk is Inka, winner of Four Play Films. Inka, thanks for being with us on Adult Site Broker Talk. Thank you for having me. It’s a pleasure. Inka is an erotic filmmaker and founder of Four Play Films. Spending her formative years living in an alternative artist commune in Austria gave Inka a critical eye for what constitutes sexy, consensual female pleasure and set the foundation for her creative endeavors in erotic filmmaking. The commune on the surface preached free love but didn’t give women equal standing and the leader abused his power for his own sexual gratification. Her background in costume design and styling informs her aesthetic and translates to the editorial feel of her films. Inka believes that education and emotional well-being are a central part of a healthy sex life. Inka is also a certified sex educator and counselor and provides desire and arousal coaching. Four Play Films is an independent all-woman production company on a mission to create erotic short films through a feminist gaze. Their films are designed to turn women on, inclusive of cis, trans, and queer, by bringing their pleasure and fantasies front and center. Four Play was created in 2017. After a difficult event in her early 30s led to her temporarily losing her desire for sex, Winner looked to porn in an effort to reignite her sex drive but was turned off by the objectifying and degrading images she found. Where was the porn that was sensual and sexy that showed women enjoying sex rather than existing solely for the man’s pleasure? When the search came up empty, she decided to make it herself, using the films she created to help herself and other women feel sexually empowered. Four Play Films started by filming real-life couples performing scenes inspired by women’s deepest fantasies, showcasing a wide range of sexual acts and practices. Now, Four Play Films also includes professional adult performers but continues to focus on chemistry, consent, and women’s sexual autonomy. Performers are encouraged to explore what brings them pleasure. Believing that education is central to sexual empowerment, Four Play Films also produces sexukation, a series of short videos that use humor to educate women and men alike on cunnilingus, communication, polyamory, birth control, and all things sex. Four Play Films are richly cinematic with lighting, locations, and wardrobe all meticulously crafted to immerse the viewer in sensuality. They’ve won many awards at a variety of film festivals around the world. Inka, you had a very interesting upbringing. Talk about how that’s influenced your life and your work. Yeah, I mean, I guess it’s influenced my life on so many different levels. That’s sort of hard to summarize. And also, I’ve been in therapy for a long time, so, you know. I mean, I think the positive aspect, because it was an artist commune, is that I do think that a lot of the creativity and sort of just having my life being oriented towards creativity is something that I don’t know that I would have otherwise focused on as much, because growing up when you’re somewhere around it by, you know, moviemaking and, you know, plays and just creativity all the time just impacts you on the not so positive side. I think that it’s brought a lot of attachment issues in my life because we were all separated from our parents. Well, how old were you? I was four to twelve. Oh, geez. Yeah. And there was sexual abuse there? Yeah. Oh, shit. I’m sorry. Yeah, in that regard, you know, I think we all know that society on a whole is very problematic when it comes to sexuality and sort of the history of abuse and all of that, right? And I feel like what I experienced growing up resembles society a lot. It was just in a more intense and more magnified way. And we’re actually going through this process currently where we, as in we, the children and grew up there, we’re seeking reparations from there’s a legal entity that still exists. So yeah, we’re doing that. Fantastic. I hope you kicked their ass. It’s like, unfortunately, legally, we can’t really do anything anymore because of the statute of limitations, but we have another way of working this out. We’ll see. But like in terms of my work, I feel like, you know, making ethical feminist porn that’s focused on female pleasure is something that we need as a whole in society. But my history of not seeing that when I grew up makes me especially adamant about making this type of content. So I feel like, you know, like what I do in a way I feel like is my social activism. And it is also rooted in my childhood a lot, the sense that I feel the need to do this, I guess. Yeah. Yeah, absolutely. How has your filmmaking style changed over the years? It’s a hard change, you know, because change is something that’s sort of gradual. And to me, I sort of like look at the films and it’s sort of the same. But I think that the longer you do it, the more nuanced you can get because you can see like, you know, some like filming is a lot of work. It’s really challenging. There’s so many aspects of it. And the more routine you get in sort of the practical aspects, the more nuance you can have with the content that you create. So I think that’s really the most important part about experience is just knowing what to look for and sort of adjusting things that you maybe didn’t see before. Well, and obviously it evolves. And I think that’s the most important part of the film. And I think that’s the most important part of the film. And I think that’s the most important part of the film. And I think that’s the most important part of the film. And I think that’s the most important part of the film. And I think that’s the most important part of the film. And I think that’s the most important part of the film. And I think that’s the most important part of the film. So, you know, it felt like that in the beginning and it feels like that now. So I can’t really tell, I guess. Sure. Well, what you do is very important before we started the interview. I told you that I was raised by a woman and I’ve always had a feminist point of view. So I think what you do is really fantastic. And the fact that it means so much to you, you know, all the better, it’s a real mission. So that’s awesome. You say your films are done through a feminist gaze. Explain that. Yeah, I think it can mean there’s a lot of layers to it. I think, you know, there’s I start with the talent on set. I film only things that the the female actually wants to be doing. So within the context of sex, we always want everybody to not just consent, but enjoy. And I think in adult films, a lot of the time female or, you know, anybody is performing. So they are acting as if they’re enjoying something they might not actually be enjoying. And so like I start by having everything be authentic pleasure so that not only it looks more pleasurable, but that the experience for the person having this experience is authentic. And, you know, that’s I think one aspect for me for, you know, to be feminist. And then the other thing is to show sexual acts or interactions that are actually pleasurable for female viewers. And that again goes back to, you know, women are different. Like it’s not like there’s one thing that everybody likes. And while some like romantic things, you know, there’s women that do like submission and BDSM. And so we can’t we can’t say that, you know, I’m making content for women by having a specific like sexual acts that I’m doing. But it’s how the person that’s doing it enjoys it and also to add this element of, for example, if somebody is into consensual non consent or BDSM, then I wanted to be obvious that the woman wants this to happen to her. And so the person on set actually wants it to happen, but also she communicates that to the viewer. So the viewer knows this happened because she enjoys it and not because somebody got her way, got their way with her, you know. These performers enjoying themselves, what a crazy concept. My goodness. So what’s wrong with normal porn when it comes to women’s enjoyment? Yeah, I mean, obviously, again, it’s like, you know, mainstream porn, it’s also such a vast area. So I’m not going to say that everything is wrong with all porn, you know. But I do think that the performing aspects of it gives us a false sense of what is actually pleasurable. You know, that’s why I love the make love not porn project so much because it showed the difference between what is a performance and what is real sex. Like, I mean, some women like facials, right? Like they like the man to come in their face, but it’s probably a small percentage. And so porn skews that percentage in an unrealistic portrayal of what women enjoy. And then so if you’re coming in as a man watching this and you’re like, oh, this is what women enjoy and young people learn how to have sex these days through porn. And so they’re learning unrealistic things and then that affects, you know, the humans that they’re dating, the actual real life humans. It’s a real good point. So how do your films empower women? Yeah, I think, again, there’s like the two aspect where it’s one is on set and being in the industry. I can say that empowering female talent on set is really, really important because that does not happen on every set. And then for the viewer, I think there’s different aspects. A, to portray something that feels pleasurable is empowering because you feel better about your own pleasure if it’s normalized. And then also having like a more diverse representation of body types and races and everything that sort of that mirrors the viewer that makes them feel like, oh, I’m seeing body types that aren’t just these like, you know, perfect humans that is not realistic for everybody. And it’s just not, you know, women don’t feel good watching something if they can’t relate to the person. If they can’t, you want to, you know, when you watch porn, you want to imagine yourself in that person. And so if you’re a female and you always see the same type of person portrayed, you just can’t feel like you’re in this film. You can’t enjoy it because you don’t see yourself in it. Yeah, no, I get that. I completely get that. Do you find, by the way, that you mentioned about your performers actually enjoying what they’re doing? Do you find that that gets you a lot of performers coming to you and wanting to be in your productions? Absolutely. It’s got to be very gratifying. It is. Like, I’m definitely at the point where performers reach out to me and tell me that they want to shoot with me because, you know, their friends have shot with me and so they’ve seen some pictures and they heard about me. And so, you know, like the other day I called somebody because I needed some, you know, like I’m actually going to shoot this dance scene. And I called her and she’s like, yeah, I’m like so excited to shoot with you. Like this other person told me all these great things about you and so, you know, that’s happening a lot and it’s definitely very exciting. It’s always gratifying when people appreciate your work, when people come to me and they go, hey, you know, I’ve been listening to your podcast and I love what you do and I’d love to be on it. Or they just say that they enjoy it. Any time that your work is recognized, people appreciate it. You know, I’m a broadcast, frustrated ex-broadcaster from way back. I used to do some sports and this for me is my creative outlet. So I completely get the artist mentality. I 100% get it. What do you do to get women’s deepest fantasies into your films? Yeah, so I actually work with talent to create something that they want to shoot. So it’s literally the talent’s fantasy that we’re filming. So I do this Zoom call ahead of time and then we brainstorm together. And I usually just ask the talent, you know, what are their interests? You know, what, you know, not just sexually, but also, you know, is there any style or just anything that they’re particularly interested in? And then based on all the brainstorming that we do together, I come up with a concept that fits their vision. That’s really nice. And it obviously is going to match with other women who watch it. Exactly. Because yeah, we’re all unique and then we’re all sort of there’s also, you know, sameness. Sameness, exactly. Yeah, sure. That makes that makes good sense. Yeah, I love your formula. So the performers are actually involved in the makeup of the script. Yeah. And I mean, most of the scenes that I shoot for four play films, they’re very short and they have a storyline. It’s not like there’s a huge dialogue or whatnot. So it’s really just more like of an idea they’re involved in creating. And I would imagine there’s a lot of room for improvisation during the scene. Oh, yeah, 100 percent. And especially for those smaller scenes that I shoot, if we do have any dialogue at all, it’s all improvised. Oh, nice. OK. How would you describe your films to someone who you met on the street? You’ve never talked to them before. They have no idea what you do, how you do it. Tell me how you would describe your films to them. Yeah, I think that, you know, on the first, you know, obvious layer, there is a lot of, you know, cinematography involved. So I think the visual appeal is the first thing that somebody would notice and that, you know, is worth mentioning. And I think then I think that the chemistry and the connection is something that really I think jumps off the screen. In a way that people aren’t used to. So I think that’s that’s the other thing I would mention. I would imagine I’m just going to do a little guessing game here. But based on the type of work that you do, I would imagine you get more feedback from your viewers than other people in adult would get. Is that pretty accurate? Yeah, it’s hard for me to, you know, compare, obviously. And I definitely, you know, I get emails with, you know, people telling me how great the films are or what specifically they liked about it. Or, you know, sometimes it’s like, oh, it’s been life changing. But it’s also funny because I actually we disabled comments on the website really for like spam and, you know, like injection reasons. So, you know, for example, like, Lust Cinema or some others, they have comments. So obviously, they would get more comments because you can comment on all the films because of we disabled comments. There’s just like a lesser opportunity to leave comments. Right. But it’s got to be gratifying just like the performers wanting to work with you. It’s got to be gratifying to hear from your customers that say, hey, this is great. Oh, yeah, it’s it’s amazing. Do people ever send you ideas for for scenes? No, they’re not. I think if I would ask for them, maybe have a contest. Sounds like a cool, cool marketing idea. Have a contest and have people submit ideas for scenes. You never know, you might get something good. Yeah, I think the most the most the problem that I anticipate is sort of having ideas and fantasies that are just out of the budget. I understand. Doesn’t mean you have to do them all. How do you go about writing scripts so they bring the product you want? We talked about that a little bit, but why don’t you expand on that? Yeah, so I do two different things. I do the the scenes for forplay films and then I direct feature films for less cinema and or sell. And so the writing process for those longer, you know, feature films, I have co-writers. So we come up with this idea and a concept and it’s usually something that’s whatever the story is. I try to put in some subliminal feminist like messaging, which, you know, just making female characters independent or, you know, which is it’s not. It’s funny because on the surface, I’m like, I wouldn’t even call it feminist per se. But if you watch porn, then it is. Well, doesn’t that have a lot to do with the reason that you’re doing work for them? Exactly. But I guess it’s so it’s kind of funny because, like, you know, when I talk about feminist porn and I obviously, there are sort of people that think that feminism means that you’re punishing men or I don’t have no idea what people think it could be. But you know what I mean? There’s some there’s some stereotypes about that, too. And then, like, you know, what it actually is is just like, no, you’re just considering women, portraying them in, like, you know, accurate and sort of multi faceted way. And that’s all that feminism is to me. Yeah. I mean, you’re showing something that’s a little fair to women and more positive about women, right? Yeah. And, you know, that we happened when they were calling this feminist is, I guess, in itself kind of a sad statement about porn and society. Oh, yes, it is. I would be 100% in agreement there. Tell us about four play films from your standpoint. I actually am just sort of coming up with this new concept that I call holistic pornography. And so it’s everything that we’ve already talked about that’s about, you know, the ethical feminist aspect that’s empowering to women and all of that. But I’m also a certified sex educator and counselor. So I want to have scenes, you know, that also have some educational aspects. Or, you know, for example, I have a guided mindfulness masturbation that is available as audio, but also I shot as a scene. Or there’s a tantric scene that shows a tantric meditation before sex is happening. So I’m trying to go beyond just portraying pleasure merely as pleasure, but also showing people new ways that are just not usually portrayed in porn. Yeah, I call that holistic pornography. A new term. I like it. So we talked about it a little bit. But how do your films differ from other studios? I do still think that the visual aspect is very noticeable. But yeah, I think that I wouldn’t even say, you know, the empowered characters, I think, is really important. And I think porn is obviously just a part of pop culture, right? Like films in themselves have come a long way from sort of the more two dimensional female characters that were portrayed in the 90s and then like whatever things, you know, when you watch films now from the 90s and you’re like, oh my god, that wouldn’t fly today. And so I think, you know, when you watch porn, there’s a lot of cringey things happening in mainstream porn, where you’re kind of like, oh, that shouldn’t be happening right now. 2024. Yeah, 2024, exactly. And you know, the fact that women are still sort of these get two dimensional beings that are just sort of like there to, I don’t even know, because like they’re there to submit to the man’s idea of pleasure, I guess. And so I just try to make films that don’t do that. Yeah, that makes total sense. Do you have many male customers who watch your films? I actually, I think it’s about 50/50 at least. So I do actually think that men really do enjoy this kind of content too. And you know, I say for women by women, and I think I say that because it’s sort of, it’s more like of a description in a way. And it makes people understand in very few words that there is something more sensual and maybe something more story driven there. But that doesn’t mean that men aren’t into that as well. Very, very true. A lot of men are liberated. Yeah, exactly. Luckily. Imagine we couldn’t date anybody otherwise. Imagine, yes, exactly. It’s interesting because I have been binge watching a lot of classic TV shows from the 60s, 70s and 80s. And right now I’m, I just started the Dick Van Dyke show from the early 70s. I’m sorry, the early 60s. And it’s so funny with Dick Van Dyke, the working man and Mary Tyler Moore, the stay-at-home mom. And I was just kind of thinking, it’s like, damn, that just hardly exists anymore. It was such a different time. Of course, it was also 60 years ago. But porn really hasn’t made the transformation, has it? No, porn is not. And I think that’s another thing that I love doing in films is role reversals. Like, you know, any like, typically like male associated role, what, you know, the woman would get in my films. So really? How so? You mean example? I mean, I think like it’s funny because I was also just thinking, what are the examples? And I’m like, okay, I couldn’t think of anything. But one is a last cinema film I did, California Dreaming, where it’s actually a Western. And so it has a little bit of a like time travel aspect because this guy starts out in the present time, and he goes on this road trip, and then he ends up in this ghost town, and he goes into the saloon, and suddenly he’s like, you know, back in that era. And we have the female there, who is the, she’s fleeing from the law, and you know, she’s about to be arrested, and you know, just sort of has the whole outlaw exactly, which just isn’t the classic female, you know, especially not in porn role, you know. That’s awesome. That’d be fun. Yeah, or actually, I just shot something with Jasmine Sherney, and like it was sort of the, just the original thought came from the Arabian night. The female is reading to the, to the male king, and trying to, I don’t know, not have him kill her. But we, we switched that around, and we’re like having her be the angry queen that needs to be calmed down by some man who then reads to her, and you know, is just doing like, it’s going to have a little bit of a voice over, and it’s going to be like, you know, this, this prince came, and he was like, caring and affectionate, and he listened to her, and, oh my God, it changed everything. A man who listened to the woman. Right, I know, right? I love it. I love it. Who have been your favorite performers to work with so far? Oh my God, that’s like so hard. I mean, I mean, I definitely have like, like a group, I think, you know, Ashford Manners, this film I just did like recently for Les Cinema as well, and there’s just a group of people, Nicole Kitt and Jasmine T. Yonte, he’s in, in, in Berlin, Dylan Diaz, and that sort of, we just got really close, I feel like, on that, on that set. So yeah, Nicole Kitt, Dylan Diaz is, I feel like Dylan Diaz is just this like, mature man, and I feel like that’s just not often, like not, so I feel like, and it’s since all of my films portray like mature, caring men, he just fits the role every time. I love Ciri Dahl. I love, I just love shooting with Jasmine, Sherny also, B York, and there’s just so many, I really, oh my God, Estro Domina. I feel like the, the talent that comes to me and is looking to film with me, sort of, they’re looking for this content. And so I feel like we just have this connection and, and sort of are very aligned. So I feel like there’s just a lot of talent that I’ve become friends with. And I also, I attract the, you know, empowered, like female talent that are all just like, badass women. I’ve met a lot of those. I’ve met a lot of those in the sin industry. There really, there really is a lot of those. Yeah. Yeah, we’re, as we, as we record this in April, which then it will, will be running late June, early July, I’m about to run my 200th episode with Ciri DeVille. And you want to talk about a badass woman. Yeah, I love her, but she’s, she’s a, because she’s a studio performer, so I can’t shoot with her. I understand. I understand. Do you have a wish list, by the way, of performers you’d like to shoot with? Honestly, not really. I feel like I’m very much into just sort of seeing who comes my way. I forgot to mention Avery Jane, who actually, she, I knew her before she was an adult and she shot her first film with me and she just did such an amazing job in sort of taking this industry by storm. But yeah, I don’t, yeah, I’m, I’m, I feel like I meet the people. Yeah, yeah, exactly. I feel like I meet the people that I, that I need to and we’ll see what happens next. Seems like it’s going well so far. Yeah. Yeah. What’s been your most gratifying accolade so far and why? I mean, honestly, I really feel like performers coming to me in that way is like the most gratifying, like the fact that I, you know, I ran into Jasmine at AVN and I didn’t know her. And I was like, oh, this is who I am. And she’s like, oh, you’re the one who makes the pretty films. And I’m like, yes. So I feel like, like talent knowing who I am for the content that I create is really the most gratifying. Because yeah, you know, we had a bunch of AVN nominations and that’s great. And, you know, like I’m so glad that Nicole Kid won the X-Biss Best Actress because of, you know, the film that we did together. But I feel like in the end, the talent knowing about me and liking, it means more to me than any sort of awards that I could win. That’s nice. That’s really nice. Yeah. Because you won quite a few. Yeah. Do you do? How do you feel when you win an award? What’s the, what’s the sensation normally? Well, you know, the thing is like we, like in terms of AVN and X-Biss, it’s not like I’ve won too many awards. I just have a bunch of nominations. What about when you get nominated? I mean, that’s amazing because I feel like I came out of nowhere. Like my studio is tiny. And the fact that in spite of all of that, they see the talent or the, you know, whatever the care that’s in the films and recognize that is definitely great. That’s awesome. Talk about sex education and why it’s important. Yeah. I mean, so sex education is a series that I wish I’d actually had more time to make more of those films. They’re just sort of on the back burner, but obviously sex education is so important. And sex education is sex education with humor. And I just, I think that, you know, having fun entertainment with education together, like what’s better, you know, than that. Oh yeah. Sex should be fun, right? Exactly. And like, but education can also be fun. Like you can have humor. Like it doesn’t have to be dry and sort of like boring and you have to feel like you’re learning this and it’s like a chore, you know, why can’t learning be fun also? So I feel like sex education, the series is about receiving information while also laughing at the same time. Okay. And what, I mean, why do you consider that important? Well, I think that sex education is important and, you know, we’re so overstimulated and oversaturated with information that it’s just difficult. So I feel like having something that sort of, you know, doesn’t just feel like education, but also like is fun at the same time, just sort of, you know, supplies two different essential things at the same time. So. Okay. Perfect. You also do custom shoots for couples. How would someone contact you about these? Yeah, they can just email me at foreplayfilms@gmail.com or, you know, honestly, you could, people can message me on Instagram too and ask about that. How much of that do you do? It really depends. Like it’s not sort of the most thing that I do because they’re a little bit, you know, like making custom content is just more expensive. And I think not everybody, you know, is able to do that. So in the past, I’ve also shot with couples and I was like, well, if you’re okay to be on the website, we can do a trade, you know, it’s like, you get this amazing video and you’re on the website. So if you can’t afford it, if you’re cool with that, that’s also okay with me. So we’ve done that too. So talk about what’s ahead for foreplay films. What do you have coming up in the future? So I am working on sort of like a vignette feature film this year that I’m super excited about. That’s about sex in very not porn circumstances, like life circumstances that are usually not portrayed in porn. Because, you know, life has so many sexual circumstances that aren’t necessarily always like looked to as like fantasies or sexy, right? Like, but so I have like, I’m doing that. And then I am actually also looking for investors right now. So there’s that because, you know, growing a company requires resources. And I have a few things that I’m, they can’t really talk about yet because they’re not really a thing yet, but there’s things. You know, what’s interesting is you talked about the vignette and you talked about scenes that would be not necessarily like porn. And I would imagine that in your normal content, there’s not a lot of the pizza delivery man or the pool boy or any of that. So how is this going to be different? Well, I guess I’ll just say one example, but like it’s a vignette of, you know, different everyday life or I mean, I don’t know if everyday life, but, you know, life situations and one of it’s going to be at a fertility clinic where a guy is masturbating. But the context of his masturbation is not like to get off for pleasure, but it’s to deliver the sample. So, you know, that’s a little bit different. Exactly. I think different is what you really enjoy doing in the end. It’s definitely. Yeah, I feel like sex in porn is very two dimensional and it’s really lacking the richness that sexuality has, which is also kind of why I feel like what I do in my opinion is more pleasurable to watch because it has more dimensions and like humans have more dimensions. And I mean, I do think that in our society, sex and, you know, I guess people have been reduced to, you know, less dimensional objects. And I think when you’re used to that, then maybe that’s what you’re gravitating to. But that doesn’t mean that there isn’t room for sort of like change or reeducation. And I hope that that’s also what my films do is that they show you that maybe it is something else that you enjoy, you know? Makes good that makes that makes really good sense. One more question that comes to mind. If you were giving advice to other production companies, how would you improve the porn that’s out there now? I think, first of all, like make stories that are about something. Yeah, not just fucking and coming on the face. Yeah. And also, like, you know, the films that I make, I want the sex to be part of the story. There’s a story and the story then provides a reason for there to be sex. But other companies have stories just to provide the sex, but not for this. The, you know, the sex isn’t for the story, but the stories for the sex. And that just sort of feels boring to me. I can’t agree more. You know, it’s really funny being an adult people I meet just to assume I’m a consumer of it. I’m not. I mean, yes, I have some come across my computer being a website broker and I look and some of it’s more interesting than others. And some of it I find interesting and somewhat pleasurable. But I never was a person who went out of his way to watch porn. I just wasn’t. So I understand because my feeling is that there’s way too much sameness in our industry. I mean, the storylines from one scene to the next aren’t that different. That’s why I talk about the pizza delivery guy and the pool guy. I totally joke about those things when we get pizza or our pool guy gets here. So I said he’s the he’s the world’s most famous porn star or pool guy. Anyway, so I totally understand what you’re doing. And I think what you’re doing is great. Well, thank you. Inka, I’d like to thank you for being our guest today on Adult Site Broker Talk. And I hope we’ll get a chance to do this again soon. Awesome. Thank you so much for having me. Thank you. My broker tip today is part two of how to buy a site. Last week, we discussed first deciding the type of site you want to buy and then establishing what your budget is. Next, it’s time to look for your new website. So where do you look? Well, Adult Site Broker is a great place to start. We always have a nice variety of website and non-website properties for sale. But if there’s a particular type of site you want, we can also act as your buyer’s broker to help you find just the right site. Other places to look are boards like xbiz.net and gfy.com. But to be completely honest, unless what you’re looking for is a really low-end property, you’re probably not going to find what you’re looking for there. Of course, you could contact site owners yourself, but take it from someone who does it for a living. It’s a major hassle and it can be really hard to even find out who owns a site. Almost all adult sites use who is privacy from their domain registrar. So when you send them an email, it will be an anonymous address. And in most cases, the emails aren’t returned. We have a huge database of sellers and generally know who owns what. And if it’s a website of note, if we don’t know who owns it, we can usually find out. We’ll talk about this subject more next week. And next week we’ll be speaking with Dominatrix Queen Lo. And that’s it for this week’s Adult Site Broker Talk. I’d once again like to thank my guest, Inka Winter of For Play Films. Talk to you again next week on Adult Site Broker Talk. I’m Bruce Friedman. (upbeat music) (upbeat music) (upbeat music) [BLANK_AUDIO]
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